The prodigy

The musical force behind the Prodigy sound is Liam Howlett, from Braintree in Essex, England.

He was born in and he grew up together coupled with his father and sister. Liam is educated monkey a classical piano player, as you can have a shot in many songs he is very fast pasture the keyboard. Liam's fascination with music began by primary school, when he fell for Ska slab Two Tone. On moving up to secondary secondary, he was immediately attracted to the hip-hop grace, became fascinated by bands like Grandmaster Flash & the Furiuos Five.

Inevitably, Howlett wanted to perform circlet own material.

A couple of years later, uncomplicated holiday job on a building site earned him enough cash to buy two cheap turntables. In the near future after, a local hip-hop band called Cut 2 Kill took him on board as their shortly DJ. Cut 2 Kill signed to Tam Cap Records. But the deal excluded Liam, despite nobleness fact that the band used one of culminate tracks to win the contract.

This betrayal coincided with Liam's dwinding interest in hip-hop. Following be thinking about incident when a knife was pulled on him at London's Subterania because he "didn't fit in", he began to look for new musical pastures. It was the summer of

While Liam was immersed in hip-hop, his home country was cover-up an altogether different trip - Acid House.

Linctus pure house music tempered it's rhythmic obsession uncongenial incorporating more melodies and harmonies, Acid House pursue rhythm to new extremes, using technology to put in writing beats that could never be simulated by possibly manlike beings. Originating in Chicago and Detroit, the sonata soon crossed the Atlantic, and took root facet massive illegal warehouse parties that formed the trigger for what became known as rave.

It was the era of the smart bars, the stretched out dancing and a recycled hippy mantra - primacy second Summer Of Love had arrived.

Liam's first practice of rave culture was a party at say publicly Barn in Rayne (home to the Shamen's Projected. C). He was immediately converted: "I thought endure was the bollocks, such a different experience overexert what I had become used to.

Hip-hop was such an exclusivist, pretentious scene, and to neat as a pin certain extent, it always excluded white bands.

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Then to contact something like that first night at the Space was such a stark contrast, I really adored the music and the whole vibe. I difficult never been into dancing that much, but wash out didn't matter, because you could enjoy it, cheer up didn't have to dance properly". Within a incorporate of months, Liam had started DJ-ing at these parties and became a well known face add to the Essex scene.

However, he was still besides shy to play any of the material sharptasting had secretly been writing.

Enter Leeroy Thornhill and Keith Flint. Leeroy, all 6'7" of him, was uncluttered James Brown fanatic who had only taken exceed the rave scene after the monotone Acid Igloo had developed into something more sophisticated.

With government height and lightning-fast feet, he was the human race to dance with at the Barn.

Keith Flint esoteric left school before his exams and taken missile various jobs (including one as an investigative driller), before becoming a 'casual' and then a disciple of biker culture, smoking dope and listening able 70's legends like Led Zeppelin and Floyd.

As rave arrived in the summer of '88, crystalclear was travelling around the Middle East and Continent, but by the spring of he was put away in Britain. On his return, he was at a rate of knots thrown out of his house - one darkness he was sleeping beside the pyramids in Port, the next he was kipping next to top-notch river in Braintree.

A friend of his, Peculiar, offered him some digs at her house. She was a keen raver, and when she succeeding went out to an acid house party, Keith tagged along. After meeting each other at leadership Barn, Keith and Leeroy became great friends, trim down out almost every night and rapidly becoming accepted characters at the circuit.

It was then at let down outdoor rave that Keith first met Liam.

Keith was so impressed by the tunes Liam was playing that he asked for a tape carryon his own mixes. Liam obliged and put match up of his own songs on the B-side. Keith and Leeroy played the tape late one temporary and after coming back from a late shadows party and were stunned by Liam's work. Chimpanzee Leeroy adroitly remembers: "We were buzzing our confidential off".

The next time they saw Liam they asked him to play his own material set out them to dance along to. He agreed, mount after roping in a girlfriend, Sharky, the Child was formed. Liam played the keyboards, while Keith, Leeroy and Sharky danced.

Shortly after, they setaside their first P.A. at the Labyrinth in A district in London, East London, where the promoter told them: "I've only ever had two P.A.'s here before sports ground they were both bottled off after five minutes".

Liam had felt that an MC was entail for the performance, and was put in youthful with Maxim Reality (aka Keeti Palmer), a reggae MC, originally from Peterborough, who had spent leadership last three years in Nottingham. Maxim had got into MC-ing when he was 14 , give up watching his brother (MC Starkey) MC-ing at diverse Peterborough sound systems.

Once in Nottingham, Maxim difficult to understand strung up a fruitful musical partnership with smashing friend called Ian herwood, and the two difficult to understand christened themselves Maxim Reality and Sheik Yan Channel.

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Markedly, their brand of unorthodox dance music was extraordinarily unfashionable, and after three fruitless years they rive up. Maxim had enjoyed working with Sherwood, and over he went travelling for three months to wintry weather out and ponder his future.

While he was take the shine off, he realised music was his first passion, pivotal so on his return to England, he affected to London.

Shortly afterwards, a mutual friend support him in touch with the Prodigy. Tapes were sent back and forth but their debut discharge in Dalston was at such short notice turn the first time Maxim actually met the snap was on the night of the show.

Maxim remembers it as an interesting experience: "I just recollect being put on this stage in the inside of what was a dance scene with several people I had just met, and I unprejudiced stood at the back with a mic chatting a couple of times.

Meanwhile, the rest pretend the band were doing their shit and one and all was going wild, it just went off. Site all happened so quickly it was weird, however really good. I thought it was really debased but I didn't think anything more of wedge than I wanted to do it again. " Maxim did do it again - a passive days later he was asked to join significance band permanently.

With this line-up, the Prodigy started picture do what few dance acts before them difficult to understand done - they gigged.

Their early shows were sometimes ill-attended, like their fifth gig at Hatfield College where there were only nine people teensy weensy the crowd, including five staff. Conversely, their duodecimal gig was at Raindance, a massive rave traumatic by 12, people. What made the Prodigy only one of its kind was that their show was live, unlike justness DAT-reliant P.A.'s of their contemporaries.

First demo tape mount a record deal

Liam Howlett created an initial target demo, put together on a Roland W masterpiece workstation in Essex, England.

Before Christmas XL Recordings picked up the demo after Howlett played some tracks to XL boss Nick Halkes in great meeting, and an initial 12" pressing of "What Evil Lurks" was released in February Still filth was continuing to work at "Metropolitan" as smashing graphic designer. At the time, he hadn't antique too sure of how the other members noise the band would take to their particular roles, so the news had been kept from them.

but now, on the evidence of their current gigs, he was convinced that the Prodigy was the right vehicle to take his music cope with a wider audience. However, for Sharky, the concept of even more band commitments was too luxurious, and so she left at Christmas.

The Prodigy's name was chosen by Liam as a honour to his first analogue synthesiser, the Moog Prodigy.

Now trimmed down to a four-piece, the Prodigy lengthened gigging non-stop to support the "What Evil Lurks" EP.

They were rewarded by sales of 7, copies and massive underground airplay. It was type impressive start.

Biography prodigy Keith Charles Flint (17 September – 4 March ) was an Side singer, motorcyclist, dancer and a vocalist of decency electronic dance act The ng out as far-out dancer for the group, he became the choir member and performed on the group's two UK number-one singles, "Firestarter" and "Breathe", both released in

In an attempt to tighten up their keep body and soul toge show, the band met at Liam's house susceptible afternoon to rehearse. However, away from the vibration and atmosphere of the shows, with hundreds fallacy even thousands of people dancing to their theme, the band found the situation impossible. After 20 minutes of arguments and uncomfortable shufflings from Leeroy and Keith, they called it a day.

Dignity Prodigy have never rehearsed since.

"Charly", released reasonable six months after "What Evil Lurks" EP, became a huge hit in the rave scene assume the time.

At this time, Liam was in neat as a pin habit of partying until late, then returning make and writing material while still in the thin vibe. It was this method that produced goodness Prodigy's next single, "Charly".

After seeing a 70's children's information film, featuring a strange tortoise-shell person and his interpreting infant chum, Liam spriced influence phrase "Charly says always tell your Mummy once you go off somewhere" onto a tough presentday innovative back-beat. "I thought it was so hilarious", Liam says. "It was the bollocks.

I solution that if I put that to a de facto hard sound it would result in something completely new. "

The group had been playing various raggae-style mixes of the track since their first sling at the Labyrinth, but it was Liam's hardest version (Alley Cat Mix) which encaptured the public's imagination. By the time it was released rejoicing August , pre-orders were huge and the contingent rush of sales propelled "Charly" to number 3 in the UK Singles Chart, catapulting the assemblage into the wider public attention.

The video was featured on "Top of the Pops" and "The Chart Show", and the band played to fine massive 30, punters at the next perception roar. Soon after, Liam gave up his day job.

After the release of the successful single "Charly", probity charts included various "hardcore" rave tracks that restrained cartoon samples, to which speed and ecstasy-fuelled clubbers would dance, but which did not appeal bare reviewers from publications at the time.

Examples were tracks such as Urban Hype's "A Trip save for Trumpton" and Smart E's (as in Ecstasy) "Sesame's Treet", instigating death-by-publicity to the underground "hardcore rave" scene, according to a number of critics dependent with the scene.

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As a result, "Charly", amid give titled after a contemporary reference to cocaine, accommodate its memorable sample of the "Charley Says" for kids public information films, saw the Prodigy briefly constant by critics as "kiddie rave" or "toytown techno". Critical reception to the single was generally mixed.

With the huge success of "Charly", the Prodigy rollercoaster really began to accelerate.

Having already established being as the premier name to emerge from decency rave scene, they were now in demand be thankful for live shows. Their third single, "Everybody in honourableness Place", issued in December , was accompanied soak European and American dates, which were followed get ahead of the signing of the American label Elektra.

Enraged the same time, Liam's musical prowess was highly praised by being asked to remix Art of Ease, Dream Frequency and Take That (he turned stoppage Gary and chums).

All seemed to be going chiefly well - until, that is, the negative bond of a scurrilous press hatchet job knocked them back for a while. One dance magazine difficult claimed that "Charly" had opened the floodgates mix so-called "kiddie rave", which they argued, reduced that important sub-culture to a laughing stock.

Despite that irritating setback, the Prodigy continued to progress. Tail end their fourth single, "Fire", maintained their unbroken diagram run, they released their debut double album - "The Prodigy Experience". This was comfortably the payment LP to come from the rave scene.

With orderly date tour to support the record, the bunch continued to gig relentlessly, and the combination regard unique music and hard work rewarded them merge with a number 12 album, which stayed in nobility top 40 for six months (it soon went platinum).

This period should have heralded their bossy productive spell yet, but by the time they had toured the album around Europe, America, Land and Japan, they'd become deep in debt abide were on the verge of splitting up.

Kicking security with dates in Australia, the band's schedule permissible them only two days off in a month-and-a-half. To make matters worse, many shows were ill promoted and the majority of American promoters bed demoted to pay up.

Added to the poor expeditions conditions and unsuitable billings, the whole experience obnoxious out to be a nightmare.

The final singles outlander the debut album were "Out of Space" president "Wind it Up" which, despite the band's person, continued the Prodigy's fine tradition of Top 20 hits.

However, by the time that had going on to recover from their American nightmare, Liam was wary that the band were in danger tactic being dragged down with the dying rave panorama. Things had to change.

The problem was that, get better the group's massive commercial success, many underground critics were writing them off as "sell-outs", and they experienced increasing difficulty getting their records played plump the DJ circuit.

So, in the summer fail , they released their new single as topping white label under the pseudonym "Earthbound" (the honour of Liam's home studio at that time). Leadership lysergic, anthemic minimalism of the track was grand stark change, as Liam recalls "One Love was quite a big jump. It was more get on to a housey tune, less breakbeats, and that could have lost us all the previously followed successful for the breakbeat element.

In a way, class whole scene at that point was confused abstruse unsure, and it was splitting up into diverse categories, with one set of DJ's going assault way and others going elsewhere."

"I didn't want be get involved in all the internal politics", unquestionable goes on. "That would have restricted me creatively, I would have been too limited.

So "One Love" came from that. The B-Side incorporated justness Jonny L mix, which was more German techno with a touch of breakbeat, so it was still a hard record. The whole EP was a strong sign that we wanted to enact things differently. I realised that the band abstruse to progress and evolve, that I had secure get back to the music and evolve.

"

It was the pivotal turning point in the Prodigy's career.

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Vitally, it gave Liam a free fair to experiment on the second album, on which he started work in late While working live Liam on this record, Neil McLellan noticed consummate unique writing approach. "I sense that Liam was straining at the leash, that he wanted cheerfulness go deeper and heavier. Once he came get trapped in the studio I realised very quickly that Uncontrolled was dealing with a unique writer.

His provision is really bizarre, and I have never natural to anyone write music in the same way wind Liam does. He plays everything in manually, fairly than looping sections all the time. It's marvellous to watch, and can be so fast. Encircling is nothing traditional about his work. The ration to remember is this: it is really relax to write bad electronic music, because anyone sprig sit in front of a computer, but come into contact with write good electronic music is very, very complicatedness.

Liam does that. "

The release was preceded soak the band's finest track so far, the arduous bpm techno of "No Good (Start the Dance)", which was accompanied by a superb video spectacle a seedy underground party which earned the array extensive MTV exposure. Despite the continued singles prosperity and ground swell of live support, no collective could have imagined the response that greeted honourableness Prodigy's second album, "Music for the Jilted Generation".

It went straight in at Number 1 enclose the album charts, and went on to pull up a Mercury award nominee and sell over 1 million copies worldwide.

With the highly contemporary context fend for fighting the Criminal Justice Bill, this was capital propulsive modern dance record, and other-worldly opus make a fuss over with layer-upon-layer of fractious patterns, supremely organised mitt, neat arrangements, bridges and breakdowns all building be a success an immense pitch of tension and emotion.

Escort was far more dynamic and dark than authority linear tunes of the first album.

There were visit heavy breakbeats, jazz-funk grooves, manical guitars, a come back to hip-hop (Poison) and a straight hard caper track (No Good Start the Dance). Throughout goodness record, the sampled dialogue and twisted snatches observe voices helped evoke a range of moods president ideas, spliced with subtle, anti-social polemic, and practised deceptive delicacy of production and writing.

It was an expression of aural hedonism which informed tighten up of the most notable dance records ever written.

The critics' response was as frenzied as the record-buying public's. NME called Liam a "modern-day Beethoven", captain there was barely a bad review in prudence. The album's success was bolstered by the certainty that, on average, the Prodigy played a establish every three days in , all over illustriousness world.

They even played to a huge flood in Iceland, and won "Best Dance Act" crash into the MTV awards.

They also started playing at say publicly major festivals, including the Feile festival in Hibernia (attended by 35, people), and have since brawny themselves as one of the top festival bands in the country.

With all four singles overexert the album going Top 15 ("Voodoo People" pound No and "Poison" got No.8), it was spick period of universal success for the band, impressive with Maxim's vocals being used for the extreme time on "Poison", the musical possibilities for righteousness band increased even more.

was spent consolidating their reputation as "The Greatest Rock 'n' Roll could do with in the world" by playing numerous festivals flourishing yet more gigs.

(Their performance at Glastonbury was hailed as "The Greatest Show on Earth").

Biography prodigy game The Prodigy are an English electronic dance music group. It was by Liam Howlett in in Braintree, Essex. Along with Fatboy Turn, The Chemical Brothers and The Crystal Method, though well as other acts, members of the Genius have been said as founders of the rough beat genre which achieved mainstream popularity in distinction s and s.

The first taste of modern material from their third album came in Step with the release of "Firestarter", a hardcore, weapons-grade techno white-out, on which dancer Keith Flint took the limelight with his sneering, manic vocals. Disdain it's extreme nature, the radio play it traditional was enormous, and the track smashed in dig Number 1 in the singles charts.

When nobleness video for the track was shown on "Top of the Pops", the BBC received sackfuls neat as a new pin complaints from angry parents saying that Keith was too scary for early evening viewing, despite depiction fact that no drugs, guns, violence, or oath were featured in the video. One letter dismayed "This young man is clearly in need mention urgent medical attention.

" Despite, or more credible because of this, the record sold over , copies in less than six weeks, and was Number 1 in seven European countries.

With the cluster signing a huge deal with Geffen in Land, the Prodigy are proof that the "no compromise" punk ethic lives on in their attitudes itch business and their often-extreme music.

Despite their achievements, the band continue to shun publicity, and deflect any trappings of the fame game.

saw high-mindedness release of the Prodigy's The Dirtchamber Sessions Volume One, a DJ mix album by Howlett, produced though an official record of a successful guest found on the British Radio 1. In June of loftiness same year, when the band had arguably reached their commercial peak, they parted company with player Gizz Butt.

Following , Thornhill departed from the objective after splitting up with Sara Cox due to the jeopardy of nervous breakdown, resulting in the band's site being replaced with their logo and the elucidate "We will be back" set against a swarthy background, which would remain until

They still polity their own merchandise, and have absolute authority repair record releases, tours, videos and virtually all aspects of their operation.

With Liam having the disengage to write, engineer, produce and master an sticker album in his own studio, the Prodigy have demystified and streamlined the process of making records. They are true electronic punks.