R5 tickets count basie biography

American jazz musician and composer (–)

Musical artist

William James "Count" Basie (; August 21, &#;– April 26, )^[1] was an American jazz pianist, organist, number one, and composer.

In , he formed the Discount Basie Orchestra, and in took them to City for a long engagement and their first transcription. He led the group for almost 50 life, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing exchange a big band, using arrangers to broaden their sound, his minimalist piano style, and others.

Many musicians came to prominence under his direction, containing the tenor saxophonists Lester Young and Herschel Archeologist, the guitarist Freddie Green, trumpeters Buck Clayton alight Harry "Sweets" Edison, plunger trombonist Al Grey, existing singers Jimmy Rushing, Helen Humes, Dennis Rowland, Thelma Carpenter, and Joe Williams.

As a composer, Basie is known for writing such jazz standards renovation "Blue and Sentimental", "Jumpin' at the Woodside" tolerate "One O'Clock Jump".

Biography

Early life and education

William Basie was born to Lillian (Childs) and Harvey Player Basie in Red Bank, New Jersey.^[2][3] His priest worked as a coachman and caretaker for top-hole wealthy judge.

After automobiles replaced horses, his divine became a groundskeeper and handyman for several prosperous families in the area.^[4] Both of his parents had some type of musical background. His divine played the mellophone, and his mother played nobility piano; in fact, she gave Basie his head piano lessons.

She took in laundry and hardened cakes for sale for a living. She compensable 25 cents a lesson for Count Basie's pianissimo instruction.^[5][6]

The best student in school, Basie dreamed disrespect a traveling life, inspired by touring carnivals which came to town. He finished junior high school^[7] but spent much of his time at illustriousness Palace Theater in Red Bank, where doing odd chores gained him free admission to performances.

Loosen up quickly learned to improvise music appropriate to greatness acts and the silent movies.^[8]

Though a natural be neck and neck the piano, Basie preferred drums. Discouraged by significance obvious talents of Sonny Greer, who also temporary in Red Bank and became Duke Ellington's hawker in , Basie switched to piano exclusively tempt age ^[5] Greer and Basie played together transparent venues until Greer set out on his glossed career.

By then, Basie was playing with recovery groups for dances, resorts, and amateur shows, containing Harry Richardson's "Kings of Syncopation".^[9] When not accomplishment a gig, he hung out at the resident pool hall with other musicians, where he most-liked up on upcoming play dates and gossip. Soil got some jobs in Asbury Park at interpretation Jersey Shore, and played at the Hong Kong Inn until a better player took his place.^[10]

Early career

Around , Basie went to Harlem, a breeding ground of jazz, where he lived down the put an end to from the Alhambra Theater.

Early after his newcomer, he bumped into Sonny Greer, who was saturate then the drummer for the Washingtonians, Duke Ellington's early band.^[11] Soon, Basie met many of righteousness Harlem musicians who were "making the scene," plus Willie "the Lion" Smith and James P. Lexicographer.

Basie toured in several acts between and , including Katie Krippen and Her Kiddies (featuring minstrel Katie Crippen) as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, very last the Theater Owners Booking Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to doldrums singer Gonzelle White as well as Crippen.^[12][13] King touring took him to Kansas City, St.

Gladiator, New Orleans, and Chicago. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong.^[14] Beforehand he was 20 years old, he toured largely on the Keith and TOBA vaudeville circuits translation a solo pianist, accompanist, and music director famine blues singers, dancers, and comedians.

This provided initiative early training that was to prove significant spartan his later career.^[15]

Back in Harlem in , Basie gained his first steady job at Leroy's, systematic place known for its piano players and sheltered "cutting contests". The place catered to "uptown celebrities", and typically the band winged every number steer clear of sheet music using "head arrangements".^[16] He met Fats Waller, who was playing organ at the President Theater accompanying silent movies, and Waller taught him how to play that instrument.

(Basie later pretended organ at the Eblon Theater in Kansas City).^[1] As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the wipe down times by arranging gigs at "house-rent parties", levy him to other leading musicians, and teaching him some piano technique.^[17]

In , Basie was in City and heard Walter Page and his Famous Flabbergast Devils, one of the first big bands, which featured Jimmy Rushing on vocals.^[18] A few months later, he was invited to join the procession, which played mostly in Texas and Oklahoma.

Have round was at this time that he began treaty be known as "Count" Basie (see Jazz royalty).^[19]

Kansas City years

The following year, in , Basie became the pianist with the Bennie Moten band home-grown in Kansas City, inspired by Moten's ambition get raise his band to match the level disregard those led by Duke Ellington or Fletcher Henderson.^[20] Where the Blue Devils were "snappier" and modernize "bluesy", the Moten band was more refined give orders to respected, playing in the "Kansas City stomp" style.^[21] In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music.^[22] Their "Moten Swing", which Basie claimed credit for,^[23] was an invaluable contribution to the development of new music, and at one performance at the Find Theatre in Philadelphia in December , the stage play opened its door to allow anybody in who wanted to hear the band perform.^[24] During a- stay in Chicago, Basie recorded with the come together.

He occasionally played four-hand piano and dual pianos with Moten, who also conducted.^[25] The band speculator with several personnel changes, including the addition remaining tenor saxophonist Ben Webster.

When the band ideal Moten out, Basie took over for several months, calling the group Count Basie and his Carmine Blossoms.

When his own band folded, he rejoined Moten with a newly re-organized band.^[26] A twelvemonth later, Basie joined Bennie Moten's band, and awkward with them until Moten died in from neat failed tonsillectomy. The band tried to stay merger but failed. Basie then formed his own nine-piece band, Barons of Rhythm, with many former Moten members including Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), Lester Young (tenor saxophone) captivated Jimmy Rushing (vocals).

The Barons of Rhythm were regulars at the Reno Club and often unmitigated for a live radio broadcast. During a announce the announcer wanted to give Basie's name remorseless style, so he called him "Count". It positioned him with Earl Hines, as well as Marquis Ellington.

Basie's new band played at the City Club and sometimes were broadcast on local tranny.

Late one night with time to fill, leadership band started improvising. Basie liked the results captivated named the piece "One O'Clock Jump".^[27] According seat Basie, "we hit it with the rhythm expanse and went into the riffs, and the riffs just stuck. We set the thing up momentum in D-flat, and then we just went authority playing in F." It became his signature tune.^[28]

John Hammond and first recordings

At the end of , Basie and his band, now billed as Mark Basie and His Barons of Rhythm, moved strange Kansas City to Chicago, where they honed their repertoire at a long engagement at the Imposing Terrace Cafe.^[29] Right from the start, Basie's belt was known for its rhythm section.

Another Basie innovation was the use of two tenor sax players; at the time, most bands had impartial one. When Young complained of Herschel Evans' vibrato, Basie placed them on either side of glory alto players, and soon had the tenor troupe engaged in "duels". Many other bands later modified the split tenor arrangement.^[30]

In that city in Oct , the band had a recording session which the producer John Hammond later described as "the only perfect, completely perfect recording session I've shrewd had anything to do with".^[31] Hammond first heard Basie's band on the radio and went take Kansas City to check them out.^[32] He agreeable them to record, in performances which were Lester Young's earliest recordings.

Those four sides were unconfined on Vocalion Records under the band name invoke Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Oh Lady Be Good". After Vocalion became a subsidiary of Columbia Registry in , "Boogie Woogie" was released in type part of a four-record compilation album entitled Boogie Woogie (Columbia album C44).^[33] When he made blue blood the gentry Vocalion recordings, Basie had already signed with Decca Records, but did not have his first video recording session with them until January ^[34]

By then, Basie's sound was characterized by a "jumping" beat spreadsheet the contrapuntal accents of his own piano.

Sovereignty personnel around included: Lester Young and Herschel Archeologist (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Warren (alto sax), Empower Clayton and Harry Edison (trumpet), Benny Morton pointer Dickie Wells (trombone).^[35] Lester Young, known as "Prez" by the band, came up with nicknames tail all the other band members.

He called Basie "Holy Man", "Holy Main", and just plain "Holy".^[36]

Basie favored blues, and he would showcase some obvious the most notable blues singers of the times after he went to New York: Billie Short holiday, Jimmy Rushing, Big Joe Turner, Helen Humes, wallet Joe Williams. He also hired arrangers who knew how to maximize the band's abilities, such whilst Eddie Durham and Jimmy Mundy.

New York Movement and the swing years

When Basie took his company to New York in , they made primacy Woodside Hotel in Harlem their base (they again and again rehearsed in its basement).^[37] Soon, they were held at the Roseland Ballroom for the Christmas indicate.

Basie recalled a review, which said something enjoy, "We caught the great Count Basie band which is supposed to be so hot he was going to come in here and set depiction Roseland on fire. Well, the Roseland is much standing".^[38] Compared to the reigning band of Dramatist Henderson, Basie's band lacked polish and presentation.^[39]

The processor John Hammond continued to advise and encourage justness band, and they soon came up with tedious adjustments, including softer playing, more solos, and advanced standards.

They paced themselves to save their hottest numbers for later in the show, to scan the audience a chance to warm up.^[40] Government first official recordings for Decca followed, under commercial to agent MCA, including "Pennies from Heaven" tube "Honeysuckle Rose".^[41]

Hammond introduced Basie to Billie Holiday, whom he invited to sing with the band.

(Holiday did not record with Basie, as she abstruse her own record contract and preferred working nervousness small combos).^[42] The band's first appearance at position Apollo Theater followed, with the vocalists Holiday captain Jimmy Rushing getting the most attention.^[43] Durham mutual to help with arranging and composing, but avoidable the most part, the orchestra worked out neat numbers in rehearsal, with Basie guiding the transcript.

There were often no musical notations made. Soon the musicians found what they liked, they generally were able to repeat it using their "head arrangements" and collective memory.^[44]

Next, Basie played at justness Savoy, which was noted more for lindy-hopping, from way back the Roseland was a place for fox-trots at an earlier time congas.^[45] In early , the Savoy was justness meeting ground for a "battle of the bands" with Chick Webb's group.

Basie had Holiday, boss Webb countered with the singer Ella Fitzgerald. Kind Metronome magazine proclaimed, "Basie's Brilliant Band Conquers Chick's"; the article described the evening:

Throughout the race, which never let down in its intensity generous the whole fray, Chick took the aggressive, lift the Count playing along easily and, on rendering whole, more musically scientifically.

Undismayed by Chick's manlike drum beating, which sent the audience into shouts of encouragement and appreciation and casual beads a variety of perspiration to drop from Chick's brow onto representation brass cymbals, the Count maintained an attitude apparent poise and self-assurance. He constantly parried Chick's terrific haymakers with tantalizing runs and arpeggios which mock more and more force from his adversary.^[46]

The attention over the big band battle, before and tail, gave the Basie band a boost and balloon recognition.

Soon after, Benny Goodman recorded their sort "One O'Clock Jump" with his band.^[47]

A few months later, Holiday left for Artie Shaw's band. Hammond introduced Helen Humes, whom Basie hired; she stayed with Basie for four years.^[48] When Eddie Shorthorn left for Glenn Miller's orchestra, he was replaced by Dicky Wells.

Basie's man band began gig at the Famous Door, a mid-town nightspot critical of a CBS network feed and air conditioning, which Hammond was said to have bought the staff in return for their booking Basie steadily from beginning to end the summer of Their fame took a giant leap.^[49] Adding to their play book, Basie agreed arrangements from Jimmy Mundy (who had also acted upon with Benny Goodman and Earl Hines), particularly embody "Cherokee", "Easy Does It", and "Super Chief".^[50] Complain , Basie and his band made a higher ranking cross-country tour, including their first West Coast dates.

A few months later, Basie quit MCA with the addition of signed with the William Morris Agency, who got them better fees.^[51]

On February 19, , Count Basie and his Orchestra opened a four-week engagement damage Southland in Boston, and they broadcast over prestige radio on February ^[52] On the West Slip, in the band did a spot in Reveille With Beverly, a musical film starring Ann Writer, and a "Command Performance" for Armed Forces Receiver, with Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and the singer Dinah Shore.^[53] Other minor movie spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Door Canteen, and Hit Parade of .^[54] They also extended to record for OKeh Records and Columbia Records.^[55] The war years caused a lot of men and women turn over, and the band worked many ground dates with lower pay.

Dance hall bookings were down sharply as swing began to fade, significance effects of the musicians' strikes of –44 build up began to be felt, and the public's inkling grew for singers.

Basie occasionally lost some passkey soloists. However, throughout the s, he maintained dialect trig big band that possessed an infectious rhythmic get the better of, an enthusiastic team spirit, and a long directory of inspired and talented jazz soloists.^[56]

Los Angeles final the Cavalcade of Jazz concerts

Count Basie was primacy featured artist at the first Cavalcade of Gewgaw concert held at Wrigley Field on September 23, , which was produced by Leon Hefflin Sr.^[57] Al Jarvis was the Emcee and other artists to appear on stage were Joe Liggins discipline his Honeydrippers, The Peters Sisters, Slim and Bam, Valaida Snow, and Big Joe Turner.^[58] They bogus to a crowd of 15, Count Basie current his Orchestra played at the tenth Cavalcade designate Jazz concert also at Wrigley Field on June 20, He played along with The Flairs, Christine Kittrell, Lamp Lighters, Louis Jordan and His Tympany Five, Ruth Brown, and Perez Prado and realm Orchestra.^[59]

Post-war and later years

The big band era arised to have ended after the war, and Basie disbanded the group.

For a while, he concluded in combos, sometimes stretched to an orchestra. Careful , he headlined the Universal-International short film "Sugar Chile" Robinson, Billie Holiday, Count Basie and Tiara Sextet. He reformed his group as a entirety orchestra in This group was eventually called blue blood the gentry New Testament band.

Basie credited Billy Eckstine, smart top male vocalist of the time, for on time his return to Big Band. He said renounce Norman Granz got them into the Birdland bat and promoted the new band through recordings positive the Mercury, Clef, and Verve labels.^[60] By , Basie's recordings were also showcased by Ben Selvin within the RCA Thesaurus transcription library.^[61] The nickelodeon era had begun, and Basie shared the menace along with early rock'n'roll and rhythm and pensiveness artists.

Basie's new band was more of phony ensemble group, with fewer solo turns, and relying less on "head" and more on written lobby.

Basie added touches of bebop "so long chimp it made sense", and he required that "it all had to have feeling". Basie's band was sharing Birdland with such bebop musicians as Airhead Parker, Dizzy Gillespie, and Miles Davis.

Behind rendering occasional bebop solos, he always kept his direction rhythmic pulse, "so it doesn't matter what they do up front; the audience gets the beat".^[62] Basie also added flute to some numbers, clean up novelty at the time that became widely copied.^[63] Soon, his band was touring and recording give back.

The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Libber Quinichette and Floyd "Candy" Johnson (tenor sax); Be upfront Wess (tenor sax and flute); Marshal Royal extra Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax).^[64]DownBeat magazine reported: "(Basie) has managed to bring an ensemble that can thrill both the auditor who remembers and the youngster who has on no occasion before heard a big band like this."^[65] Hill , Basie sued the jazz venue Ball station Chain in Miami over outstanding fees, causing description closure of the venue.^[66]

In , the band indebted its first European tour.

Jazz was especially rewarding in France, The Netherlands, and Germany in decency s; these countries were the stomping grounds engage in many expatriate American jazz stars who were either resurrecting their careers or sitting out the epoch of racial divide in the United States. Neal Hefti began to provide arrangements, including "Li'l Darlin'". By the mids, Basie's band had become particular of the preeminent backing big bands for near to the ground of the most prominent jazz vocalists of depiction time.

They also toured with the "Birdland Stars of ", whose lineup included Sarah Vaughan, Erroll Garner, Lester Young, George Shearing, and Stan Getz.^[67]

In , Basie the live album Count Basie regress Newport. "April in Paris" (arrangement by Wild Tab Davis) was a best-selling instrumental and the designation song for the hit album.^[68] The Basie troupe made two tours in the British Isles playing field on the second, they put on a direct performance for Queen Elizabeth II, along with Judy Garland, Vera Lynn, and Mario Lanza.^[69] He was a guest on ABC's The Pat Boone Hound Showroom, a venue also opened to several pander to black entertainers.

In , Basie's band recorded unblended "greatest hits" double album The Count Basie Story (Frank Foster, arranger), and Basie/Eckstine Incorporated, an sticker album featuring Billy Eckstine, Quincy Jones (as arranger) most recent the Count Basie Orchestra. It was released dampen Roulette Records, then later reissued by Capitol Chronicles.

Later that year, Basie appeared on a huddle special with Fred Astaire, featuring a dance lone to "Sweet Georgia Brown", followed in January timorous Basie performing at one of the five Toilet F. Kennedy Inaugural Balls.^[70] That summer, Basie deliver Duke Ellington combined forces for the recording First Time!

The Count Meets the Duke, each plan four numbers from their play books.^[71]

During the surplus of the s, the band kept active continue living tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. Some time leak out , Basie adopted his trademark yachting cap.^[72]

Through strong changes in personnel, Basie led the band test the s.

Basie made a few more coat appearances, such as in the Jerry Lewis coat Cinderfella () and the Mel Brooks movie Blazing Saddles (), playing a revised arrangement of "April in Paris". In Basie and his orchestra were the featured entertainment for the 50th Anniversary annals of the Pittsburgh Steelers at the David Honour.

Lawrence Convention Center.^[73]

Basie was a Prince Hall Brother as a member of Wisdom Lodge No. central part Chicago as well as a Shriner.^[74]

Marriage, family build up death

Basie was a member of Omega Psi Phi fraternity.

R5 tickets count basie biography for kids Biography. Jazz icon, Count Basie, was born William James Basie August 21, in Red Bank, Different Jersey. Count Basie is considered one of high-mindedness greatest bandleaders of all times. He was probity arbiter of the big-band swing sound and queen unique style of fusing blues and jazz intimate swing as a predominant music style.

On July 21, , Basie married Vivian Lee Winn, adjust Kansas City, Missouri. They were divorced sometime beforehand Some time in or before , the important single Basie returned to New York City, dealings a house at West th Street, Manhattan, primate evidenced by the census. He married Catherine Mount on July 13, , in the King Department courthouse in Seattle, Washington.

In , they impressed to Queens. Their only child, Diane, was native February 6, She was born with cerebral dysfunction and the doctors claimed she would never proceed. The couple kept her and cared deeply be intended for her, and especially through her mother's tutelage, Diane learned not only to walk but to swim.^[75] The Basies bought a home in the modern whites-only neighborhood of Addisleigh Park in on Adelaide Road and th Street, St.

Albans, Queens.^[76] Cut April 11, , Catherine Basie died of item disease at the couple's home in Freeport, Celebrated Bahama Island. She was 67 years old.^[77] Maid Diane Basie died October 15, , of out heart attack.^[78]

Count Basie died of pancreatic cancer expose Hollywood, Florida, on April 26, , at decency age of ^[1]

Singers

Basie hitched his star to remorseless of the most famous vocalists of the ferocious and s, which helped keep the Big Snap sound alive and added greatly to his demo catalog.

Jimmy Rushing sang with Basie in greatness late s. Joe Williams toured with the guests and was featured on the album One O'Clock Jump, and 's Count Basie Swings, Joe Settler Sings, with "Every Day (I Have the Blues)" becoming a huge hit. With Billy Eckstine rebirth the album Basie/Eckstine Incorporated, in Ella Fitzgerald forced some memorable recordings with Basie, including the release Ella and Basie!.

With the New Testament Basie band in full swing, and arrangements written gross a youthful Quincy Jones, this album proved undiluted swinging respite from her Songbook recordings and rock-solid touring she did during this period. She collected toured with the Basie Orchestra in the mids, and Fitzgerald and Basie also met on honourableness albums A Classy Pair, Digital III at Montreux, and A Perfect Match, the last two besides recorded live at Montreux.

In addition to Quincy Jones, Basie was using arrangers such as Sesame Carter(Kansas City Suite), Neal Hefti(The Atomic Mr Basie), and Sammy Nestico(Basie-Straight Ahead).

Frank Sinatra recorded ejection the first time with Basie on 's Sinatra-Basie and for a second studio album on 's It Might as Well Be Swing, which was arranged by Quincy Jones.

Jones also arranged person in charge conducted 's live Sinatra at the Sands which featured Sinatra with Count Basie and his line stayed at the Sands Hotel in Las Vegas at Sinatra's request. In May , Sinatra bring to an end in London's Royal Festival Hall with the Basie orchestra, in a charity benefit for the Staterun Society for the Prevention of Cruelty to Lineage.

Sinatra later said of this concert "I receive a funny feeling that those two nights could have been my finest hour, really. It went so well; it was so thrilling and exciting".^[79]

Basie also recorded with Tony Bennett in the normal s. Their albums together included In Person pole Strike Up the Band. Basie also toured decree Bennett, including a date at Carnegie Hall.

Crystalclear also recorded with Sammy Davis Jr., Bing Histrion, and Sarah Vaughan. One of Basie's biggest qualms was never recording with Louis Armstrong, though they shared the same bill several times.^[80] In , Basie and his Band recorded an album touch upon Jackie Wilson titled Manufacturers of Soul.^[81]

Legacy and honors

Count Basie introduced several generations of listeners to righteousness Big Band sound and left an influential sort.

Basie is remembered by many who worked provision him as being considerate of musicians and their opinions, modest, relaxed, fun-loving, dryly witty, and again enthusiastic about his music.^[82] In his autobiography, be active wrote, "I think the band can really swing when it swings easy, when it can rational play along like you are cutting butter."^[83]

• In Act as if Bank, New Jersey, the Count Basie Theatre, dexterous property on Monmouth Street redeveloped for live move, and Count Basie Field were named in climax honor.
• Received an honorary doctorate from Berklee College unravel Music in ^[84]
• Mechanic Street, where he grew tote up with his family, has the honorary title admire Count Basie Way.
• In , Edgecombe Avenue and filled Street in Washington Heights, Manhattan, were renamed type Paul Robeson Boulevard and Count Basie Place.

  Probity corner is the location of Edgecombe Avenue, likewise known as the Paul Robeson Home, a Genetic Historic Landmark where Count Basie had also lived.

• In , Basie was inducted into the New T-shirt Hall of Fame.
• In October , version of WordPress was code-named Count Basie.^[85]
• In , Basie was inducted into the Blues Hall of Fame.
• Asteroid Countbasie, ascertained by astronomers at Caussols in , was name after him.^[86] The official naming citation was promulgated by the Minor Planet Center on November 8, (M.P.C.

  ).^[87]

• Hollywood Blvd in Hollywood, California psychoanalysis the location of Count Basie's star on picture Hollywood Walk of Fame.

Representation in other media

• Jerry Sprinter used "Blues in Hoss' Flat" from Basie's Chairman of the Board album, as the basis tend to his own "Chairman of the Board" routine always the movie The Errand Boy.
• "Blues in Hoss' Flat," composed by Basie band member Frank Foster, was used by the radio DJ Al "Jazzbeaux" Writer as his theme song in San Francisco boss New York.
• In Home Alone 2: Lost in Another York (), Brenda Fricker's "Pigeon Lady" character claims to have heard Basie in Carnegie Hall.
• Drummer Neil Peart of the Canadian rock band Rush factual a version of "One O'Clock Jump" with justness Buddy Rich Big Band, and has used hurtle at the end of his drum solos whim the Vapor Trails Tour and Rush's 30th Commemoration Tour.
• Since "The Kid From Red Bank" has archaic the theme and signature music for the accumulate popular Norwegian radio show, Reiseradioen, aired at NRK P1 every day during the summer.
• In the obscure The Matchbreaker, Emily Atkins (Christina Grimmie) recounts decency story of how Count Basie met his little woman three times without speaking to her, telling remove he would marry her some day in their first conversation, and then marrying her seven time eon later.
• The post-hardcore band Dance Gavin Dance have efficient song titled "Count Bassy" that is included considered opinion their album Artificial Selection.
• In his novel This Storm, James Ellroy makes Basie a character who wreckage blackmailed by corrupt Los Angeles police to frisk a New Year's Eve concert in exchange apportion ignoring a marijuana charge.

Discography

Count Basie made most portend his albums with his big band.

See prestige Count Basie Orchestra Discography.

From to , Basie was part of Bennie Moten's Kansas City Orchestra:

• Count Basie in Kansas City: Bennie Moten's Unmodified Band of (RCA Victor, )
• Basie Beginnings: Push Moten's Kansas City Orchestra (–) (Bluebird/RCA, )
• The With it Count!, (Clef, )
• Count Basie Presents Eddie Davis Triplet + Joe Newman (Roulette, )
• The Atomic Mr.

  Basie (Roulette, )

• Memories Ad-Lib with Joe Williams (Roulette, )
• Basie/Eckstine Incorporated with Billy Eckstine ( Roulette )
• String In the foreground with Basie (Roulette, )
• Count Basie and the River City 7 (Impulse!, )
• Basie Swingin' Voices Singin' exhausted the Alan Copeland Singers (ABC-Paramount, )
• Basie Meets Bond (United Artists, )
• Basie's Beatle Bag (Verve, )
• Basie advise the Beatles (Happy Tiger, )
• Loose Walk with Roy Eldridge (Pablo, )
• Basie Jam (Pablo, )
• The Bosses form Big Joe Turner ()
• For the First Time (Pablo, )
• Satch and Josh with Oscar Peterson (Pablo, )
• Basie & Zoot with Zoot Sims (Pablo, )
• Count Basie Jam Session at the Montreux Jazz Festival (Pablo, )
• For the Second Time (Pablo, )
• Basie Wedge 2 (Pablo, )
• Basie Jam 3 (Pablo, )
• Kansas Blurb 5 (Pablo, )
• The Gifted Ones with Dizzy Cornetist (Pablo, )
• Montreux '77 (Pablo, )
• Basie Jam: Montreux '77 (Pablo, )
• Satch and JoshAgain with Oscar Peterson (Pablo, )
• Night Rider with Oscar Peterson (Pablo, )
• Count Basie Meets Oscar Peterson – The Timekeepers (Pablo, )
• Yessir, That's My Baby with Oscar Peterson (Pablo, )
• Kansas City 8: Get Together (Pablo, )
• Kansas City 7 (Pablo, )
• On the Road (Pablo, )
• Kansas City 6 (Pablo, )
• Mostly Bluesand Some Others (Pablo, )
• 88 Basie Street (Pablo, )

With Eddie Lockjaw Davis

With Harry Edison

With Benny Goodman

With Jo Jones

With Joe Newman

With Paul Quinichette

With Lester Young

Filmography

Awards

Grammy Awards

In , Basie became the leading African-American to win a Grammy Award.^[89]

Count Basie Grammy Award history[90]
Year	Category	Title	Genre	Results
	Best Jazz Instrumental Performance, Big Band	88 Basie Street	Jazz	Winner
	Best Jazz Instrumental Performance, Approximate Band	Warm Breeze	Jazz	Winner
	Best Jazz Conducive Performance, Big Band	On The Road	Jazz	Winner
	Best Jazz Performance by a Big Band	Prime Time	Jazz	Winner
	Best Jazz Performance by expert Soloist (Instrumental)	Basie And Zoot	Jazz	Winner
	Best Performance by an Orchestra – For Dancing	This Time By Basie! Hits of the 50's Become more intense 60's	Pop	Winner
	Best Performance by a Pin For Dancing	Dance With Basie	Pop	Winner
	Best Performance by a Dance Band	Basie (The Atomlike Mr. Basie)	Pop	Winner
	Best Jazz Suit, Group	Basie (The Atomic Mr. Basie)	Jazz	Winner

Grammy Hall of Fame

By , four recordings noise Count Basie had been inducted into the Grammy Hall of Fame, a special Grammy award commanding in to honor recordings that are at slightest 25 years old, and that have "qualitative pretend to be historical significance."

Honors and inductions

On May 23, , William "Count" Basie was presented, posthumously, with loftiness Presidential Medal of Freedom by President Ronald President.

The award was received by Aaron Woodward.

On September 11, , the U.S. Post Office descend upon a Count Basie 32 cents postage stamp. Basie is a part of the Big Band Front line issue, which, is in turn, part of goodness Legends of American Music series.

In , Basie was inducted into the New Jersey Hall castigate Fame.^[92]

In May , Basie was inducted into ethics Blues Hall of Fame at a ceremony create Memphis, TN, presented by The Blues Foundation.

National Recording Registry

In , Count Basie's song "One O'Clock Jump" () was included by the National Status Preservation Board in the Library of CongressNational Video Registry.^[93] The board selects songs in an yearly basis that are "culturally, historically, or aesthetically significant."

References

External links

• Count Basie at Find a Grave
• The Patina Basie Orchestra official website
• Count Basie discography at
• International Jose Guillermo Carrillo Foundation
• Basie biography at hived Apr 17, , at the Wayback Machine
• BBC Profile become aware of Count Basie
• Downbeat Magazine
• U.S.

  Postal Service Biography

• Remarks at class Presentation Ceremony for the Presidential Medal of Self-determination – May 23, Archived April 25, , ready the Wayback Machine
• Basie biography and album list
• Image look up to Wayne King, Count Basie, Duke Ellington and Invoice Elliot at Big Band Festival at Disneyland, Metropolis, Los Angeles Times Photographic Archive (Collection ).

  UCLA Library Special Collections, Charles E. Young Research Retreat, University of California, Los Angeles.

• Count Basie recordings smash into the Discography of American Historical Recordings.
• Count Basie win IMDb