Sigurdur gudmundsson biography
The 25 stones that he heaped up in wintertime at the In-Out Center were stones he had picked up from the streets of Amsterdam in the summertime. What has remained steady, however, is his fresh, authentic, juvenile relationship with art. He predominantly used the technique of photography to hold and freeze his performances, and they were mostly taken outdoors by Ineke Gudmundsson and later by Pieter L.
The motivation of such works does not, as the artist says, deny a subtle commentary on the supposition by, for instance Dutch people, that inhabitants of northern countries are made for melancholia. Join the mailing list. Personal mobility. The ice sentence was in Icelandic language, and represented the artist's philosophical thoughts, such as "This beauty is my first acquaintance with a truth that is unknown to me".
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A bundle of rope touw was attached to a wooden background next to a sleeve mouw , creating Poem, Mouw en Touw , In , Sigurdur was granted the opportunity to show his photographic stills, titled Situations , at the Stedelijk Museum — a solo show that rooted him firmly in the awareness of the collective art scene. Since he was enrolled at Academie 63 later called De Ateliers during its start in Haarlem in , he had already lived in the Netherlands for a couple of years.
Frieze London 8 - 11 Oct Additionally, the two Projects for the Wind were each offset in an edition of 70, and Little Red Riding Hood was made into 5 prints. Grieg I shot ten arrows in the sky". Helgesen, Helgi E.
sigurdur gudmundsson
— and the In-Out Center
by Tineke Reijnders
Sigurdur Gudmundsson's relationship with art is special.
It is administer, honest, personal, and imaginitive. He invests his provide with body into both his poetry and philosophy, creating works that are simple and compellingly communicative.
Born fence in Reykavik in , in he moved – provision a second time – from Iceland to Amsterdam. Since he was enrolled at Academie 63 (later called De Ateliers) during its start in Haarlem in , he had already lived in excellence Netherlands for a couple of years.
His wedlock to the Dutch Ineke Wheda also reflects emperor connection to the country, though his bonds connect with Iceland also remained tight, tracing its memories reliably quite a few of his works.
In , Sigurdur had the chance to organise (together with Gijs van Tuyl) the fourth Súm exhibition at loftiness Fodor Museum, an offshoot of the Stedelijk Museum Amsterdam.
Three previous Súmexbibitions had taken place anxiety Reykjavik – the first of them in – and Hreinn Fridfinnsson was one of its founders. For the Dutch audience, the group show Súm IVwas their first introduction to art from Island. Among others, the brothers Kristján and Sigurdur Gudmundsson, along with Hreinn Fridfinnsson, made their first turning up on the Amsterdam scene.
All three of them had lived in Amsterdam for the past work on or two years. Young Voss (Jan Voss), Pieter Holstein, Robert Filliou and George Brecht were extremely included in Súm IV. The catalogue was accessible by the Stedelijk Museum as number , preconcerted by Wim Crouwel of Total Design. Sigurdur elective works that incorporated balloons, electrified by a entirety sense of spleen.
In the catalogue, for item, a group of 9 photographs called Horizontal thoughts () show two people facing the sea – one sitting on a chest and the new on sand. The balloon of the lower-seated male is filled with wavy lines, while the be lated of the higher-seated man is predominantly filled condemnation the sky, corresponding to the horizontal view take away the two figures.
Some pictures are darker outstrip others, reflecting how the day passes. Do representation men persevere in professing their nostalgia for their home on the other side of the sea? The motivation of such works does not, although the artist says, deny a subtle commentary look over the supposition by, for instance Dutch people, rove inhabitants of northern countries are made for melancholia.
Sigurdur gudmundsson biography husband Sigurður Guðmundsson was calved in Reykjavik in but has developed his craftsmanship in The Netherlands. Between 19he taught at Acedemie voor Kunst en Industrie in Enschede in High-mindedness Netherlands.The balloons were cut out of foam, then painted and fixed into the scenery walkout iron thread. No work is ever manipulated. Excellent large print of this series was displayed pimple the show, and was subsequently purchased by leadership Stedelijk Museum. For Sigurdur, photography is just deft tool – an art piece is a "poem" or a "situation", but not a photograph rigid se.
From the moment Michel Cardena contacted him happen next explain his plans for the In-Out Center, Sigurdur Gudmundsson became an enthusiastic collaborator.
Before long, class entire family, including the children Arni, Tomas take Katrín, were fully involved with the In-Out Sentiment.
Many guests from strike countries and cities enjoyed the hospitality of honourableness family, sometimes for months in a row. Susceptible or two dropped in on a regular motivation for Ineke’s good cooking.
For the opening exhibition break out November 24, , Sigurdur contributed a number provision serigraphs with a photographic narrative, all completed smash a text.
A Project for the Wind consists of two parts, each "made" by the ventilation. In A project for the Wind. Sculpture forbidden hammers, positioned with his back to the puff, an armful of driftwood to a pole, sinker. Thanks to the wind’s changing direction, the flora begins to take on new angles. The adhere to is an unbalanced, strange sculpture.
In A consignment for the Wind. Drawing, stones displayed on glory ground depict the direction of the wind. These works were realised in Cornwall, where the Gudmundssons briefly lived in during a house exchange. Integrity landscape of Cornwall had the exact desired conditions: a rough and unspoiled rock area that disentangle the artist to act as a prototypical deserted figure – brave, but subject to dominant, unusual nature.
Additionally, Untitled (Ice-philosophy) conforms to a sequence personal occurrences.
It is the report that resulted steer clear of a project performed over six days for Now Construction, a short-lived gallery on Reguliersdwarsstraat. Each light of day, the artist brought a frozen set of handwriting that formed a sentence into the gallery.
Sigurdur gudmundsson biography Marlene Dumas / Sigurdur Gudmundsson, Stampa, Basel Marlene Dumas: Love Hurts, featuring Chlorosis extract (In Search for) the Perfect Lover, Ausser Reichweite von Kindern, Marlene Dumas: Arbeiten /88, Galerie Wanda Reiff, Maastricht Marlene Dumas: schilderijen – tekeningen (Nightmares), Galerie Isabella Kacprzak.The ice sentence was bit Icelandic language, and represented the artist's philosophical no account of, such as "This beauty is my first grasp with a truth that is unknown to me". Icelandic or not, the text was barely unsophisticated during its melting process. On the other insensitive, the handwritten text under this photographic story largesse no mysteries, and is too beautiful to groan be quoted:
this is about how my philosophy became a part of human beings and their surroundings:
1.
writing the philosophy and simplifying it into offend sentences
2. making moulds and filling them with spa water - then freezing them
3. going every day pact the gallery with one sentence of ice
4. say publicly philosophy laying on the floor in the gallery
5. the philosophy has become water
6.
prestige water is gone - some of it was carried away by peoples' shoes to the streets and their homes - some of it went to peoples’ bodies by their breathing in integrity gallery and there it stayed for some lifetime - some of it went into the launch air and it became a part of honesty clouds and later it came back as explosion, etc
Sigurdur’s first solo show at the In-Out Interior was from November 4 to 17, , discipline was centred around three performances.
The pose ferry Aladdin was a careless, idle and spoiled boy was captured photographically, frozen in Aladdin and justness Wonderful Lamp, titled Illustration II. At first, interpretation artist sat on his chair while hearing character story of Aladdin. Conversely, Little Red Riding Hood began with an empty stage (located inside say publicly In-Out Center).
The story of the fairy continue to exist was, as with Aladdin, recorded on tape from one side to the ot Sigurdur’s friend, the Englishman Michael Gibbs. When position moment came for the wolf to be unsealed in order to liberate the granny and dip granddaughter – "Just at this time the woodcutter was nearby granny's house" – Sigurdur entered say publicly stage with his long-handled axe.
Sigurdur gudmundsson narrative images View Sigurdur Gudmundsson’s artworks on artnet. Disinter an in-depth biography, exhibitions, original artworks for selling, the latest news, and sold auction prices. See about the artist and see available works unmixed sale.A still of this performance can background seen in his work Illustration I,
The gear performance made a lasting impression on those who were present. The artist had previously had sovereignty photo taken at the dunes of Bloemendaal. Stiffness a bow and pulling an arrow, he give something the onceover standing behind a record player on a board.
The text added to the Hommage à Grieg(Stedelijk Museum) reads, "While I listened to music fail to notice E. Grieg I shot ten arrows in picture sky".
At the In-Out Center, ten slides of that sequence were projected on a wall while An den Früling by Edvard Grieg was playing. Significance artist presented and incorporated the music by flipping the disc each time a visitor appeared. Hommage à Grieg radiates of full-blown romanticism, while once upon a time being funny and absurd.
An arrow is unembellished metaphor for direction, but shot in the hazy it is in vain – as vain chimp art allows.
Apart from the somewhat sublime notions turn this way Sigurdur Gudmundsson attaches to his vision of variety, he also includes an endearing degree of practical simplicity in his work.
There is no façade – just pure joie de vivre in take the edge off literal, material form. In , Sigurdur presented Eight Poems at Galerie Fignal, located in the hall of his friends Hreinn Fridfinnsson and Hlíf Svavarsdottir’s house. Each poem consisted of a daily item, such as a loaf of bread, a give a pasting, or a children's tricycle.
The poem could note have been composed more simply, and the equivalent work has maintained a successful trajectory throughout indefinite museums.
His last solo show at the In-Out Inside, from October 29 to November 8, , was dedicated to poetry that was barely more young than his previous creations. In his series spectacle visual Poems, the artist combined two objects whose Dutch names formed a rhyming couplet, where probity physical rhyme is non-existent – it is upshot absurdity.
A bundle of rope (touw) was united to a wooden background next to a casing (mouw), creating Poem, Mouw en Touw, There were also Erren / Sterren (letter r's / stars) and Mos/Gros (moss / gross). He played blank Dutch in the same way he played nervousness Icelandic and English variants. Sigurdur does indeed own a talent for languages, but what prompted him to make these combinations was the unattractive preponderance of the rhyming decisions.
It amused him turn into disarm the good taste.
The 25 stones that proscribed heaped up in wintertime at the In-Out Spirit were stones he had picked up from honesty streets of Amsterdam in the summertime. The shelve was titled Summerstones.
The light-footed register with which Sigurdur brings his thoughts to expression is effective.
Noteworthy predominantly used the technique of photography to clothing and freeze his performances, and they were especially taken outdoors by Ineke Gudmundsson and later from one side to the ot Pieter L. Mol, one of the few exercises in those days who owned a good camera and knew how to use it. Photographs pronounce made for duplications, but Sigurdur practically always produces unique works - except for the early exhibition works in the opening show.
Editions were trig common phenomenon in those times, as it helped to spread the art around and make it easier to sell, or better: to be landdwelling away, as generosity was a shared characteristic amongst the artists. Horizontal Thoughts exists in an print run of 5, and Ice-philosophy was offset in prominence edition of 16 (printed by Anderson, Nieuwe Kerkstraat).
Sigurdur gudmundsson biography children: Sigurdur Gudmundsson, Galleri Stefan Andersson, Umeå, Sweden (solo) Like it is, Galerie Anhava, Helsinki, Finland (solo) Goteborgs Internationella Konstbiennal, Erfarenhet Upplösning, Gothenburg, Sweden Gallery i8, Reykjavik, Iceland (solo) k-tissue, Malmö Konsthall, Malmö, Sweden
Additionally, class two Projects for the Wind were each equalize in an edition of 70, and Little Lock Riding Hood was made into 5 prints.
All picture young artists of the In-Out Center had rectitude desire to receive an invitation from a valued museum of contemporary art. This became a deed more often than not.
In , Sigurdur participated in the Huitième Biennale de Paris, Manifestation anthem des jeunes artistes at the Musée d'Art Modern de la Ville de Paris. His works were also featured in a group show at nobility Joslyn Art Museum in Omaha and at magnanimity Frans Halsmuseum in Haarlem in Many group shows followed, such as Ça va?
Ça va sought-after the Centre Pompidou in In , Sigurdur was granted the opportunity to show his photographic stills, titled Situations, at the Stedelijk Museum – well-ordered solo show that rooted him firmly in justness awareness of the collective art scene.
Siggi Gudmundsson cherishes the wonderful memories of the In-Out Center.
Break down is no wonder that he felt inclined know about start a similar artists' initiative in Xiamen, Significant other, where he owns a house and has moderately lived since Titled Nothing Gallery, it observes excellent similar protocol to the In-Out Center: each magician is responsible for one month of programming, point of view invites a colleague to share the month lift them.
Sigurdur gudmundsson biography wikipedia The Icelandic master Sigurdur Gudmundsson has, throughout his career, worked become clear to most kind of media – performance, photography, portraiture, video, text, sculpture and installation. With an unlimited curiosity he moves between the different territories systematic art in both expression and technique.Since , some 36 presentations have been realised, all welcomed by the youthful enthusiasm of budding artists take precedence a broad audience. Siggi has also intensely slim the Chinese European Art Center (CEAC), a non-profit space that was founded in by Ineke Gudmundsson and university professor Xin Jian. Its huge premium has had an influence on the lively ethnic climate of Xiamen and the greater circle pick up the tab China.
By now, the longing for Iceland specific to in Horizontal Thoughts has developed into a predetermined crossing of seas and oceans. His domiciles sense in Iceland (Djúpivogur), Sweden, China and Amsterdam. What has remained steady, however, is his fresh, absolute, juvenile relationship with art.
© Tineke Reijnders,